Showing posts with label Kenyon. Show all posts
Showing posts with label Kenyon. Show all posts

Saturday, April 28, 2012

April is Poetry Month


Our April Poetry Month  ends with a poem to be shared with everyone--in and out of CancerLand. A reminder to live this day, by the magnificent Jane Kenyon:

Otherwise

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise. 

---Jane Kenyon


Tuesday, March 29, 2011

Let Evening Come, Jane Kenyon

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.
Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.
Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.
Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.
To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.
Let it come, as it will, and don’t
be afraid. God does not leave us
comfortless, so let evening come.


--Jane Kenyon

Monday, March 28, 2011

Last Days, by Donald Hall

“It was reasonable
to expect.” So he wrote. The next day,
in a consultation room,
Jane’s hematologist Letha Mills sat down,
stiff, her assistant
standing with her back to the door.
“I have terrible news,”
Letha told them. “The leukemia is back.
There’s nothing to do.”
The four of them wept. He asked how long,
why did it happen now?
Jane asked only: “Can I die at home?”
Home that afternoon,
they threw her medicines into the trash.

Jane vomited. He wailed
while she remained dry-eyed – silent,
trying to let go. At night
he picked up the telephone to make
calls that brought
a child or a friend into the horror.

The next morning,
they worked choosing among her poems
for Otherwise, picked
hymns for her funeral, and supplied each
other words as they wrote
and revised her obituary. The day after,
with more work to do
on her book, he saw how weak she felt,
and said maybe not now; maybe
later. Jane shook her head: “Now,” she said.
“We have to finish it now.”

Later, as she slid exhausted into sleep,
she said, “Wasn’t that fun?
To work together? Wasn’t that fun?”
He asked her, “What clothes
should we dress you in, when we bury you?”
“I hadn’t thought,” she said.
“I wondered about the white salwar
kameez,” he said –
her favorite Indian silk they bought
in Pondicherry a year
and a half before, which she wore for best
or prettiest afterward.
She smiled. “Yes. Excellent,” she said.
He didn’t tell her
that a year earlier, dreaming awake,
he had seen her
in the coffin in her white salwar kameez.

Still, he couldn’t stop
planning. That night he broke out with,
“When Gus dies I’ll
have him cremated and scatter his ashes
on your grave!” She laughed
and her big eyes quickened and she nodded:
“It will be good
for the daffodils.” She lay pallid back
on the flowered pillow:
“Perkins, how do you think of these things?”
They talked about their
adventures – driving through England
when they first married,
and excursions to China and India.

Also they remembered
ordinary days – pond summers, working
on poems together,
walking the dog, reading Chekhov
aloud. When he praised
thousands of afternoon assignations
that carried them into
bliss and repose on this painted bed,
Jane burst into tears
and cried, “No more fucking. No more fucking!”

Incontinent three nights
before she died, Jane needed lifting
onto the commode.
He wiped her and helped her back into bed.

At five he fed the dog
and returned to find her across the room,
sitting in a straight chair.
When she couldn’t stand, how could she walk?
He feared she would fall
and called for an ambulance to the hospital,
but when he told Jane,
her mouth twisted down and tears started.
“Do we have to?” He canceled.
Jane said, “Perkins, be with me when I die.”
“Dying is simple,” she said.
“What’s worst is… the separation.”

When she no longer spoke,
they lay along together, touching,
and she fixed on him
her beautiful enormous round brown eyes,
shining, unblinking,
And passionate with love and dread.

One by one they came,
the oldest and dearest, to say goodbye
to this friend of the heart.
At first she said their names, wept, and touched;
then she smiled; then
turned one mouth-corner up. On the last day
she stared silent goodbyes
with her hands curled and her eye stuck open.

Leaving his place beside her,
where her eyes stared, he told her,
“I’ll put these letters
in the box.” She had not spoken
for three hours, and now Jane said
her last words: “O.K.”

At eight that night,
her eyes open as they stayed
until she died, brain-stem breathing
started, he bent to kiss
her pale cool lips again, and felt them
one last time gather
and purse and peck to kiss him back.

In the last hours, she kept
her forearms raised with pale fingers clenched
at cheek level, like
the goddess figurine over the bathroom sink.
Sometimes her right fist flicked
or spasmed toward her face. For twelve hours
until she died, he kept
scratching Jane Kenyon’s big bony nose.
A sharp, almost sweet
smell began to rise from her open mouth.
He watched her chest go still.
With his thumb he closed her round brown eyes.

Sunday, March 27, 2011

Jane Kenyon and Donald Hall

Jane Kenyon and Donald Hall: Poets, lovers, husband and wife. Both had cancer . Donald, much older, lived. Jane, much younger, died. But, both being poets, they had the habit of turning all life experiences into poems. So we have poetry collections from each of them describing each turn and phase of their roles as caregivers and as patients. It’s fascinating to read them together and to trace the intrusion and trajectory of cancer through their loving—and sexy—marriage.

Here is a poem by Jane Kenyon when she is ill and Donald is her caregiver:

I saw him leaving the hospital
with a woman's coat over his arm.
Clearly she would not need it.
The sunglasses he wore could not
conceal his wet face, his bafflement.

As if in mockery the day was fair,
and the air mild for December. All the same
he had zipped his own coat and tied
the hood under his chin, preparing
for irremediable cold.


Coats, by Jane Kenyon

Donald Hall and Jane Kenyon

Tuesday, September 16, 2008

Donald Hall and Jane Kenyon II

I just finished reading “Unpacking the Boxes”, new memoir of Donald Hall. This is 14 years after Jane’s death and he recounts much of the story that he wrote in “The Best Day/The Worst Day”…but now he is farther from it and tells more.

What struck me was how much he missed being her caregiver. The details of daily caring for her in leukemia were so hard but I understood when he wrote that he was with her and caring for her day and night. It meant connection and they were together even though the circumstances were shitty. After she died he missed her and he missed being able to care for her. I realize some days that there is a benefit in this cancer. It’s a connection and a way of being in relationship. No one would wish for this but I am aware that it is a gift of sorts. It sets a strong priority and it makes a bond.

The other thing that Donald Hall—quite bravely—writes about in the new book is his sexual fantasies and his sexual behavior while Jane is dying and after her death. He writes about the voracious fantasies that would flow thru him and how, after her death, he acted on them and wanted lots of uncommitted sex.

It’s a bit scary to read that but startlingly honest I thought. I never believe he didn’t or doesn’t love Jane but that he is carried by body and mind to a very sexual place.